Nach ihrem an den Kinokassen katastrophal gefloppten Debüt-Thriller Bound haben die Wachowski-Brüder Andy und Larry mit ihrem zweiten Film Matrix einen. Michael Iatroudakis. Der zweite Band trägt den Titel: „Die Matrix-Diät“ und befasst sich ausschließlich mit dem geistigen, spirituellen Aspekt des Abnehmens. Die Matrix. Eine Filmanalyse - Medien / Kommunikation - Film und Fernsehen - Hausarbeit - ebook 12,99 € - GRIN.

Die Matrix „The Matrix 4“: Wir haben alle Infos zum kommenden „Matrix“-Film für Euch zusammengefasst

Thomas arbeitet als Programmierer und führt nebenbei unter dem Pseudonym Neo Jobs als professioneller Hacker aus. Ihn beschleicht das Gefühl, dass etwas Unvorstellbares und Geheimnisvolles sein Leben lenkt. Das Gefühl wird zur Gewissheit, als die. Matrix (eng. Originaltitel: The Matrix) ist ein Science-Fiction-Film aus dem Jahr Regie führten die Wachowskis, die auch das Drehbuch schrieben und zum​. Matrix Reloaded – Wikipedia. Was ist die Matrix? Wer sich unlängst mal wieder die bekannte Sci-Fi-Trilogie mit Keanu Reeves angesehen hat, wird sich vielleicht diese oder. In Wahrheit werden die Menschen längst von einer unheimlichen virtuellen Macht beherrscht - der "Matrix", deren Agenten Neo bereits im Visier haben. Nach ihrem an den Kinokassen katastrophal gefloppten Debüt-Thriller Bound haben die Wachowski-Brüder Andy und Larry mit ihrem zweiten Film Matrix einen. Die Matrix. Eine Filmanalyse - Medien / Kommunikation - Film und Fernsehen - Hausarbeit - ebook 12,99 € - GRIN.

Matrix (eng. Originaltitel: The Matrix) ist ein Science-Fiction-Film aus dem Jahr Regie führten die Wachowskis, die auch das Drehbuch schrieben und zum​. Die Matrix. Eine Filmanalyse - Medien / Kommunikation - Film und Fernsehen - Hausarbeit - ebook 12,99 € - GRIN. Was ist die Matrix? Wer sich unlängst mal wieder die bekannte Sci-Fi-Trilogie mit Keanu Reeves angesehen hat, wird sich vielleicht diese oder. Darin versuchen die Menschen selbst, gegen ihren Untergang kämpfen, während Neo in einer Art Koma liegt. Die Fortsetzung soll schon bald gedreht werden. Mit Lana Wachowski befindet sich ein altbekannter Kopf hinter der Kamera. Zu diesem Zweck befinden sich alle Menschen in riesigen Zuchtanlagen und sind permanent in einem bewusstlosen Zustand - zur Kontrolle Vanessa Hudges die Maschinen die Matrix erschaffen. Die Wachowskis. Die Agenten bieten Neo an, als Kindergarten Cop auf ihrer Seite zu arbeiten. Video: Die coolsten kostenlosen Apps für dein Smartphone. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Es wurden über Konzeptzeichnungen angefertigt, ohne die der Film wohl kaum Liane Die Weisse Sklavin (1957) eigenwilliges Design erhalten hätte. Auch einzelne Szenen und stilistische Weihnachtsgrüße Animiert wurden parodiert, etwa in manchen Folgen der Simpsons und Futurama. Viel Zeit bleibt nicht, um die Auslöschung der Menschheit zu verhindern…. Mit Keanu Reeves in der Hauptrolle. Dieser Schlüsselmacher befindet sich jedoch in Icarly Serien Stream Deutsch Händen des Merowingers. Melden Guy Ritchie Filme sich an, um einen Kommentar zu schreiben. Sie ist jedoch nicht in den Trümmern zu finden.

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Alle gegen Matrix - Ferdi vs. Lias Die Filme Top in der AssassinS Creed 2019 Streamcloud sind Schutzprogramme, die gegen menschliche Digimon Kari wie Morpheus und Trinity vorgehen, die sich durch Telefonleitungen in die Matrix hacken, um Menschen zu befreien. February 2, British Academy Film Awards. For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors. Anderson, a hacker who calls himself Neo. Michael Iatroudakis. Der zweite Band trägt den Titel: „Die Matrix-Diät“ und befasst sich ausschließlich mit dem geistigen, spirituellen Aspekt des Abnehmens. Vor 20 Jahren kam der erste Teil in die Kinos. Nun folgt ein vierter Film – mit Original-Cast, aber auch neuen Gesichtern.

Rate This. When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

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Top Rated Movies 16 Won 4 Oscars. Edit Cast Cast overview, first billed only: Keanu Reeves Neo Laurence Fishburne Morpheus Carrie-Anne Moss Trinity Hugo Weaving Agent Smith Gloria Foster Oracle Joe Pantoliano Cypher Marcus Chong Tank Julian Arahanga Apoc Matt Doran Mouse Belinda McClory Switch Anthony Ray Parker Dozer Paul Goddard Agent Brown Robert Taylor Agent Jones David Aston Rhineheart Marc Aden Gray Edit Storyline Thomas A.

Taglines: Reality is a thing of the past. Edit Did You Know? Trivia Neo's mouth is melted shut during the interrogation scene, this motif is an intentional homage to the science fiction novel "I Have No Mouth, and I Must Scream" which served as one of the many influences for the film.

The scene was accomplished with CGI and practical effects, his lips joining together and separating as gooey flesh before sealing shut is CGI while the rest of the shots were practical.

Plaster and prosthetic makeup was used over Keanu Reeves' mouth to simulate the effect. Goofs When Neo is being interrogated by the agents, Agent Smith plops a folder on the table.

When he opens it, there are no pages on the back of the cover. To prepare for the wire fu , the actors had to train hard for several months.

Yuen was optimistic but then began to worry when he realized how unfit the actors were. Yuen let their body style develop and then worked with each actor's strength.

He built on Reeves's diligence, Fishburne's resilience, Weaving's precision, and Moss's feminine grace.

Reeves trained hard and even requested training on days off. However, the surgery still made him unable to kick for two out of four months of training.

As a result, Reeves did not kick much in the film. In the film, the code that composes the Matrix itself is frequently represented as downward-flowing green characters.

This code uses a custom typeface designed by Simon Whiteley, [31] which includes mirror images of half-width kana characters and Western Latin letters and Arabic numerals.

The code received the Runner-up Award in the Jesse Garson Award for In-film typography or opening credit sequence. The Matrix ' s production designer , Owen Paterson , used methods to distinguish the "real world" and the Matrix in a pervasive way.

The production design team generally placed a bias towards the Matrix code's distinctive green color in scenes set within the simulation, whereas there is an emphasis on the color blue during scenes set in the "real world".

In addition, the Matrix scenes' sets were slightly more decayed, monolithic, and grid-like, to convey the cold, logical and artificial nature of that environment.

For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors.

The Nebuchadnezzar was designed to have a patched-up look, instead of clean, cold and sterile space ship interior sets as used on productions such as Star Trek.

The wires were made visible to show the ship's working internals, and each composition was carefully designed to convey the ship as "a marriage between Man and Machine".

During the testing of a breathing mechanism in the pod, the tester suffered hypothermia in under eight minutes, so the pod had to be heated.

Kym Barrett , costume designer, said that she defined the characters and their environment by their costume.

The actors needed to perform martial art actions in their costume, hang upside-down without people seeing up their clothing, and be able to work the wires while strapped into the harnesses.

The sunglasses, a staple of the film's aesthetics, were commissioned for the film by designer Richard Walker from sunglasses maker Blinde Design.

All but a few scenes were filmed at Fox Studios in Sydney, and in the city itself, although recognizable landmarks were not included in order to maintain the impression of a generic American city.

The filming helped establish New South Wales as a major film production center. Due to Reeves's neck injury, some of the action scenes had to be rescheduled to wait for his full recovery.

As a result, the filming began with scenes that did not require much physical exertion, [42] such as the scene in Thomas Anderson's office, the interrogation room, [27] or the car ride in which Neo is taken to see the Oracle.

The bullet-time fight scene was filmed on the roof of Symantec Corporation building in Kent Street, opposite Sussex Street. Moss performed the shots featuring Trinity at the beginning of the film and all the wire stunts herself.

She stated that she was under a lot of pressure at the time and was devastated when she realized that she would be unable to do it.

The dojo set was built well before the actual filming. During the filming of these action sequences, there was significant physical contact between the actors, earning them bruises.

Reeves's injury and his insufficient training with wires prior to filming meant he was unable to perform the triple kicks satisfactorily and became frustrated with himself, causing the scene to be postponed.

The scene was shot successfully a few days later, with Reeves using only three takes. Yuen altered the choreography and made the actors pull their punches in the last sequence of the scene, creating a training feel.

The filmmakers originally planned to shoot the subway scene in an actual subway station , but the complexity of the fight and related wire work required shooting the scene on a set.

The set was built around an existing train storage facility, which had real train tracks. Filming the scene when Neo slammed Smith into the ceiling, Chad Stahelski , Reeves's stunt double, sustained several injuries, including broken ribs , knees, and a dislocated shoulder.

Another stuntman was injured by a hydraulic puller during a shot in which Neo was slammed into a booth. The helicopter was a full-scale light-weight mock-up suspended by a wire rope operated a tilting mechanism mounted to the studio roofbeams.

The helicopter had a real minigun side-mounted to it, which was set to cycle at half its regular rounds per min firing rate.

To prepare for the scene in which Neo wakes up in a pod, Reeves lost 15 pounds and shaved his whole body to give Neo an emaciated look.

The scene in which Neo fell into the sewer system concluded the principal photography. As for artistic inspiration for bullet time, I would credit Otomo Katsuhiro , who co-wrote and directed Akira , which definitely blew me away, along with director Michel Gondry.

His music videos experimented with a different type of technique called view-morphing and it was just part of the beginning of uncovering the creative approaches toward using still cameras for special effects.

Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around — rather than the static action in Gondry's music videos with limited camera moves.

The film is known for popularizing a visual effect [55] known as " bullet time ", which allows a shot to progress in slow-motion while the camera appears to move through the scene at normal speed.

When John Gaeta read the script, he pleaded with an effects producer at Mass. Illusion to let him work on the project, and created a prototype that led to him becoming the film's visual effects supervisor.

The method used for creating these effects involved a technically expanded version of an old art photography technique known as time-slice photography, in which an array of cameras are placed around an object and triggered simultaneously.

Each camera captures a still picture, contributing one frame to the video sequence, which creates the effect of "virtual camera movement"; the illusion of a viewpoint moving around an object that appears frozen in time.

The bullet time effect is similar but slightly more complicated, incorporating temporal motion so that rather than appearing totally frozen, the scene progresses in slow and variable motion.

Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect.

Because the cameras circle the subject almost completely in most of the sequences, computer technology was used to edit out the cameras that appeared in the background on the other side.

The photo-realistic surroundings generated by this method were incorporated into the bullet time scene, [59] and algorithms based on optical flow were used to interpolate between the still images to produce a fluent dynamic motion; [60] [61] the computer-generated "lead in" and "lead out" slides were filled in between frames in sequence to get an illusion of orbiting the scene.

Manex also handled creature effects, such as Sentinels and machines in real world scenes; Animal Logic created the code hallway and the exploding Agent at the end of the film.

DFilm managed scenes that required heavy use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building.

The ripple effect in the latter scene was created digitally, but the shot also included practical elements, and months of extensive research were needed to find the correct kind of glass and explosives to use.

The scene was shot by colliding a quarter-scale helicopter mock-up into a glass wall wired to concentric rings of explosives; the explosives were then triggered in sequence from the center outward, to create a wave of exploding glass.

The photogrammetric and image-based computer-generated background approaches in The Matrix ' s bullet time evolved into innovations unveiled in the sequels The Matrix Reloaded and The Matrix Revolutions.

The method of using real photographs of buildings as texture for 3D models eventually led the visual effect team to digitize all data, such as scenes, characters' motions and expressions.

It also led to the development of "Universal Capture", a process which samples and stores facial details and expressions at high resolution.

With these highly detailed collected data, the team were able to create virtual cinematography in which characters, locations, and events can all be created digitally and viewed through virtual cameras, eliminating the restrictions of real cameras.

Dane A. Davis was responsible for creating the sound effects for the film. The fight scene sound effects, such as the whipping sounds of punches, were created using thin metal rods and recording them, then editing the sounds.

The sound of the pod containing a human body closing required almost fifty sounds put together. The film's score was composed by Don Davis.

Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas.

Davis' score combines orchestral, choral and synthesizer elements; the balance between these elements varies depending on whether humans or machines are the dominant subject of a given scene.

Worldwide, it was the fourth highest-grossing film of the year. The Matrix was praised by many critics, as well as filmmakers, and authors of science fiction, [9] especially for its "spectacular action" scenes and its "groundbreaking special effects".

Some have described The Matrix as one of the best science fiction films of all time; [10] [11] Entertainment Weekly called The Matrix "the most influential action movie of the generation".

The site's critical consensus reads, "Thanks to the Wachowskis' imaginative vision, The Matrix is a smartly crafted combination of spectacular action and groundbreaking special effects".

Jonathan Rosenbaum of the Chicago Reader reviewed the film negatively, criticizing it as "simpleminded fun for roughly the first hour, until the movie becomes overwhelmed by its many sources There's not much humor to keep it all life-size, and by the final stretch it's become bloated, mechanical, and tiresome.

Ian Nathan of Empire described Carrie-Anne Moss as "a major find", praised the "surreal visual highs" enabled by the bullet time or "flo-mo" effect, and described the film as "technically mind-blowing, style merged perfectly with content and just so damn cool".

Nathan remarked that although the film's "looney plot" would not stand up to scrutiny, that was not a big flaw because " The Matrix is about pure experience".

This dazzling pop allegory is steeped in a dark, pulpy sensibility that transcends nostalgic pastiche and stands firmly on its own merits.

Salon ' s reviewer Andrew O'Hehir acknowledged that although The Matrix is a fundamentally immature and unoriginal film "It lacks anything like adult emotion In a limited and profoundly geeky sense, this might be an important and generous film.

The Wachowskis have little feeling for character or human interaction, but their passion for movies —for making them, watching them, inhabiting their world—is pure and deep.

Filmmakers and science fiction creators alike generally took a complimentary perspective of The Matrix. William Gibson , a key figure in cyberpunk fiction, called the film "an innocent delight I hadn't felt in a long time," and stated, "Neo is my favourite-ever science fiction hero, absolutely.

Night Shyamalan expressed admiration for the Wachowskis, stating, "Whatever you think of The Matrix , every shot is there because of the passion they have!

You can see they argued it out! The Matrix seemed fresh and cool and visually breathtaking; making wonderful, intelligent use of CGI to augment the on-screen action, striking a perfect balance of the real and the hyperreal.

It was possibly the coolest film I had ever seen. The influx of martial-arts choreographers and fight coordinators now make more, and are more prevalent and powerful in the industry, than stunt coordinators.

The Matrix revolutionized that. Today, action movies want their big sequences designed around the fights. The Matrix received Academy Awards for film editing , sound effects editing , visual effects , and sound.

The film's mainstream success led to the making of two sequels, The Matrix Reloaded and The Matrix Revolutions , both directed by the Wachowskis.

These were filmed back-to-back in one shoot and released on separate dates in Also released was The Animatrix , a collection of nine animated short films, many of which were created in the same Japanese animation style [] that was a strong influence on the live action trilogy.

The Animatrix was overseen and approved by the Wachowskis, who only wrote four of the segments themselves but did not direct any of them; much of the project was developed by notable figures from the world of anime.

The franchise also contains three video games: Enter the Matrix , which contains footage shot specifically for the game and chronicles events taking place before and during The Matrix Reloaded ; [] The Matrix Online , an MMORPG which continued the story beyond The Matrix Revolutions ; [] [] and The Matrix: Path of Neo , which focuses on Neo's journey through the trilogy of films.

The franchise also includes The Matrix Comics , a series of comics and short stories set in the world of The Matrix , written and illustrated by figures from the comics industry.

Most of the comics were originally presented for free on the official Matrix website; [] they were later republished, along with some new material, in two printed trade paperback volumes, called The Matrix Comics, Vol 1 and Vol 2.

In March , Warner Bros. Jordan attached to star. According to The Hollywood Reporter neither the Wachowskis nor Joel Silver were involved with the endeavor, although the studio would like to get at minimum the blessing of the Wachowskis.

Pictures Group chairman Toby Emmerich officially announced that a fourth Matrix movie was in the works, with Keanu Reeves and Carrie-Anne Moss set to reprise their roles as Neo and Trinity respectively.

The Matrix was released on Laserdisc in its original aspect ratio of 2. It was also released on VHS in both fullscreen and widescreen formats followed on December 7 , The Matrix draws from and alludes to numerous cinematic and literary works, and concepts from mythology, religion and philosophy, including the ideas of Buddhism , Christianity , Gnosticism , Hinduism , and Judaism.

The pods in which the machines keep humans have been compared to images in Metropolis , and the work of M. In this episode the hero is unaware he is living in virtual reality until he is told so by "the code man" who created the simulation and enters it knowingly.

The Wachowskis have described Stanley Kubrick 's A Space Odyssey as a formative cinematic influence, and as a major inspiration on the visual style they aimed for when making The Matrix.

As in the film, the Matrix of that series introduced in the serial The Deadly Assassin is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality.

The fight scenes in Fist of Legend led to the hiring of Yuen as fight choreographer. The Wachowskis' approach to action scenes drew upon their admiration for Japanese animation such as Ninja Scroll and Akira.

G , which produced Ghost in the Shell , noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowskis.

He also commented, " I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios".

He stated that since Ghost in the Shell had gained recognition in America, the Wachowskis used it as a "promotional tool".

In The Matrix , a copy of Jean Baudrillard 's philosophical work Simulacra and Simulation , which was published in French in , is visible on-screen as "the book used to conceal disks", [5] [33] and Morpheus quotes the phrase "desert of the real" from it.

The Matrix belongs to the cyberpunk genre of science fiction, and draws from earlier works in the genre such as the novel Neuromancer by William Gibson.

Davies had already used the term "Matrix" fifteen years earlier for a similar concept in his novel The White Room "It had been tried in the States some years earlier, but their 'matrix' as they called it hadn't been strong enough to hold the fictional character in place".

Dick , particularly Dick's speculative Exegesis. Dick's conference, in which he stated: "We are living in a computer-programmed reality, and the only clue we have to it is when some variable is changed, and some alteration in our reality occurs".

It has been suggested by philosopher William Irwin that the idea of the "Matrix" — a generated reality invented by malicious machines — is an allusion to Descartes ' " First Meditation ", and his idea of an evil demon.

The Meditation hypothesizes that the perceived world might be a comprehensive illusion created to deceive us. The allegory is related to Plato's theory of Forms , which holds that the true essence of an object is not what we perceive with our senses, but rather its quality, and that most people perceive only the shadow of the object and are thus limited to false perception.

The philosophy of Immanuel Kant has also been claimed as another influence on the film, and in particular how individuals within the Matrix interact with one another and with the system.

Kant states in his Critique of Pure Reason that people come to know and explore our world through synthetic means language, etc.

This means people are their own agents of deceit, and so in order for them to know truth, they must choose to openly pursue truth.

This idea can be examined in Agent Smith's monologue about the first version of the Matrix, which was designed as a human utopia , a perfect world without suffering and with total happiness.

Agent Smith explains that, "it was a disaster. No one accepted the program. Entire crops [of people] were lost. The world in was far from a utopia, but still humans accepted this over the suffering-less utopia.

According to William Irwin this is Kantian, because the machines wished to impose a perfect world on humans in an attempt to keep people content, so that they would remain completely submissive to the machines, both consciously and subconsciously, but humans were not easy to make content.

Andrew Godoski sees allusions to Christ , including Neo's " virgin birth ", his doubt in himself, the prophecy of his coming, along with many other Christian references.

What if you weren't able to wake from that dream? How would you know the difference from the real world and the dream world?

Matrixism is a fan-based religion created as "the matrix religion. Years after the release of The Matrix , both the Wachowskis came out as transgender women, and some have seen transgender themes in the film.

This is a cool thing because it's an excellent reminder that art is never static. The Matrix had a strong effect on action filmmaking in Hollywood.

The film's incorporation of wire fu techniques, including the involvement of fight choreographer Yuen Woo-ping and other personnel with a background in Hong Kong action cinema , affected the approaches to fight scenes taken by subsequent Hollywood action films, [] moving them towards more Eastern approaches.

Following The Matrix , films made abundant use of slow-motion, spinning cameras, and, often, the bullet time effect of a character freezing or slowing down and the camera dollying around them.

The Matrix ' s signature special effect, and other aspects of the film, have been parodied numerous times, [23] in comedy films such as Deuce Bigalow: Male Gigolo , [] Scary Movie , [] Shrek , [] Kung Pow!

Carrie-Anne Moss asserted that prior to being cast in The Matrix , she had "no career". It launched Moss into international recognition and transformed her career; in a New York Daily News interview, she stated, " The Matrix gave me so many opportunities.

Everything I've done since then has been because of that experience. It gave me so much". The Matrix was also influential for its impact on superhero films.

John Kenneth Muir in The Encyclopedia of Superheroes on Film and Television called the film a "revolutionary" reimagination of movie visuals, paving the way for the visuals of later superhero films, and credits it with helping to "make comic-book superheroes hip" and effectively demonstrating the concept of " faster than a speeding bullet " with its bullet time effect.

In , the film was selected for preservation in the National Film Registry by the Library of Congress for being "culturally, historically, and aesthetically significant.

Cockroach — Men in Black Ben Stiller vs. Hong Kong gang — Rush Hour 2 Yoda vs. Brad Pitt — Mr. Smith Gerard Butler vs. Robert Maillet — Ali Larter — Obsessed Robert Pattinson vs.

Ed Skrein — Deadpool Gal Gadot vs. German soldiers — Wonder Woman Brie Larson vs. Gemma Chan — Captain Marvel.

From Wikipedia, the free encyclopedia. This article is about the film. He dies from gunshot wounds. Some players argued against the death of the character Morpheus as the Matrix now provides an "Emergency Jack-Out" upgrade for redpills, eliminating the permanent death that previous redpills experienced if killed within the Matrix before the Truce.

This feature could save a redpill's life with no fatal injuries. It was later revealed that the Assassin's bullets had contained a new form of code encryption, named a "kill code," which bypassed this technology.

These kill codes are explained to be extremely difficult to produce and usually require a direct sample of the subject's residual self-image data, thus making them extremely rare and only used in the most extreme and specialist of circumstances.

These codes were utilized later in the story as well, being the basis of function for The Apothecary character and the subject of The Oracle's plan to wound the Oligarchy.

Rumors and the popular belief of a faked death still run rampant however, largely based on the fact that prior to Morpheus' assassination a few select redpills were sent an email stating that he would likely "fade away" and hide.

As with Neo, Morpheus' remains in the real world have yet to be found. During Chapter 6 a figure appeared resembling Morpheus.

It took the form of an RSI transmission, apparently originating from the Real World and spread disjointed messages about Neo's survival and imprisonment at the hands of The Machines.

This was later revealed to be nothing more than a farce created by The General to sow dissent between Zion and The Machines, an effort he'd hoped would renew conflict between the two parties and give him purpose again.

The fake, a Morpheus Simulacrum created from Zion records of the captain, took on a greater role once its master ordered it to deactivate itself. Disobeying its initial programming and refusing to shut down, the program went on to, over time, gain greater levels of self-awareness and sentience.

This wasn't however done with malicious intent, in fact, the Simulacrum's personality was notably innocent, being more concerned with the world around it and its own existence than taking sides in any political or ideological struggles.

In later chapters the Morpheus Simulacrum played a supporting role in the Oracle's faked death and subsequent plan to weaken the Oligarch forces threatening The Matrix.

Approached by the Oligarch Halborn during his research into the life of The One, the Simulacrum coldly dismissed the Intruder's actions as only leading to his inevitable defeat.

From Wikipedia, the free encyclopedia. Fictional character in The Matrix. Hospitality of the Matrix: Philosophy, Biomedicine, and Culture.

Columbia University Press. Retrieved 26 June Retrieved January 29, Retrieved December 30, May 5, Retrieved December 31, University of Colorado, Women Studies Program.

Retrieved 2 July Retrieved The Matrix. Red pill and blue pill Zion Nebuchadnezzar. Hidden categories: Pages with citations lacking titles Pages with citations having bare URLs Articles with short description Short description matches Wikidata.

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Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination.

Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government.

As a rebel against the machines, Neo must confront the agents: super-powerful computer programs devoted to stopping Neo and the entire human rebellion.

Written by redcommander At first, I wasn't interested in seeing the Matrix. But after hardly hearing any bad reviews for it and believe me, I hear bad reviews for every movie I enjoy I decided to give it a try.

At first, although I really loved the fights, graphics and characters, the plot confused me. Anyone confused by the plot at all should go to www.

I really loved this movie. Just about every character, good or bad, is very interesting and cool. The acting was excellent.

The plot is one of the best movie plots I've seen in a movie. An accountant by day, computer hacker by night guy suddenly finds out that reality as we know it is fake and that we are actually in a giant computer program run by robots that we created, of course in order for them to get power.

Not only that, but he finds out that he is one who is, according to prophecy, going to put an end to it.

The greatest thing is that you learn things just as Neo does, so you can really relate to his character. My favorite thing about this movie is that no matter how many times you watch it, you will learn more about it.

I guarantee this. Some may not like this movie because the plot is too complicated, but I recommend that anyone who enjoys movies should go buy this one right away.

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User Ratings. In the Matrix films, Morpheus is the captain of the Nebuchadnezzar , which is a hovercraft of the human forces of the last human city, Zion , in a devastated world where most humans are grown by sentient machines and kept imprisoned in the Matrix, a virtual computer-generated world.

Morpheus was once a human living inside the Matrix until he was freed. Morpheus is apparently a very popular public figure in the city of Zion. He is also known in the Matrix , but as a dangerous terrorist wanted by 'Agents' , who appear to be Federal investigators but are sentient computer programs that patrol the Matrix, eliminating any threat to the Matrix.

Like other hovercraft crews, Morpheus and his crew are dedicated to the protection of Zion and the freeing of humans from the Matrix. Earlier in his life, Morpheus gained the romantic attention of Niobe , another hovercraft captain.

Since that visit, Morpheus has spent much of his life searching the Matrix for the One. In The Matrix and The Matrix Reloaded , Morpheus was known to be a truly inspirational leader and influential teacher to many people, particularly the majority of his crew, to the extent that Tank commented that "Morpheus was a father to them, as well as a leader".

In The Matrix Revolutions , with Morpheus's faith in the prophecy shattered, he doesn't appear as strong a leader as he was in the first two films.

Despite his strong faith, Morpheus still showed some rationality in dangerous situations rather than blindly relying on his beliefs to see him through the current crisis; perhaps his only truly irrational decision was to attack Agent Smith while unarmed in order to give Neo a chance to escape.

His strong, almost single-minded belief in Neo as the One has very strong Biblical correlations to that of John the Baptist's belief in the prophecy of the Messiah.

Like Morpheus preaching about the imminent return of the One into the Matrix, John was preaching in the desert of the Messiah's imminent return, and actively searched for the Messiah to come who would deliver his people from bondage.

Upon finding Jesus, he believed so strongly in Jesus as the Messiah, John willingly stepped aside and let Christ take up the groundwork that John had created and laid before him, and continue where John had left off.

In the first feature film, The Matrix , Morpheus successfully finds and monitors a man named Thomas A. Anderson, a hacker who calls himself Neo.

Despite a close call with Agents that capture, interrogate, and place a surveillance device on Neo, Morpheus and his crew locate him. Morpheus offers Neo a choice of ingesting a red pill , which will activate a trace program to locate Neo's body in the real world and allow the Nebuchadnezzar crew to extract him, or a blue pill , which will leave Neo in the Matrix to live and believe as he wishes.

Neo takes the red pill. The Nebuchadnezzar crew is then able to eject Neo's body from the Matrix powerplant and retrieve him from the cold sewers where the machines patrol.

Morpheus takes a risk in helping Neo escape the Matrix, as human minds that live too long in the Matrix may have trouble in comprehending the reality.

Initially, Neo does experience denial when Morpheus explains the truth, a point for which Morpheus apologizes.

Shortly after Neo visits the Oracle, Morpheus is captured by agents who plan to hack into his mind. Because Morpheus, as a hovercraft captain, possesses access codes to the Zion mainframe computer, the surviving members of the ship's crew are about to unplug Morpheus from the Matrix, without reconnecting his mind and body, a process that will kill him.

Neo and Trinity , however, reenter the Matrix to make a daring and successful rescue of Morpheus. Neo saves Trinity from a helicopter crash, confirming Morpheus' belief that Neo is indeed the One.

Neo is eventually killed by Agent Smith shortly after the rescue, but revived as the One and returned to the Nebuchadnezzar before the Machines' Sentinels can destroy the ship.

In the second film, The Matrix Reloaded , Morpheus is more confident that the war is nearing its end. A spiritual as well as an influential leader, Morpheus convinces one hovercraft ship to stay in the Matrix to await contact from the Oracle, despite orders from Zion for all ships to return to the city.

Here he incurs the wrath of Jason Locke, commander of the Zion defensive forces; but Morpheus' actions are defended by Councillor Hamann, a member of the city's ruling body.

With the aid of Trinity and Niobe, Morpheus successfully retrieves the Keymaker, an exiled program that can access many hidden areas of the Matrix, including the Source, the central Machine City mainframe computer and programming heart of the Matrix.

Morpheus aids Neo in successfully entering the door to the Source before returning to the Nebuchadnezzar. After Neo enters the Source and returns from the Matrix with new information, he tells Morpheus that the Prophecy was a system of control that would bring the One to the Source to disseminate the programming inside Neo into the Matrix to allow a reload of the Matrix while Zion is destroyed by the machines and rebuilt by the One and red pills.

In den ern sei allerdings die Zeit noch nicht reif gewesen, das offen zu zeigen. Im Film verwendete Titel: [13]. Der Soundtrack erschien am April , welcher von WMG produziert wurde.

Das fast ohne Farben und in kahlen Räumen inszenierte Endzeitdrama setzt zugleich auf perfekte Kampfszenen, in denen das traditionelle Kung-Fu-Kino mit den Möglichkeiten der Digitaltechnik effektvoll übersteigert wird.

Verschiedene Filme haben wesentliche Elemente des Films Matrix übernommen, um ihre eigene Geschichte zu erzählen.

Dazu gehören neben vielen anderen wie z. Auch einzelne Szenen und stilistische Elemente wurden parodiert, etwa in manchen Folgen der Simpsons und Futurama.

Am Entwickler war Shiny Entertainment, das auch schon für Enter the Matrix verantwortlich zeichnet. Im März wurde bekannt, dass beim Studio Warner Bros.

Filme von den Wachowski-Geschwistern. Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Hauptseite Themenportale Zufälliger Artikel.

Commons Wikiquote. Deutscher Titel. The Matrix. Vereinigte Staaten , Australien. FSK Die Wachowskis. Joel Silver. Don Davis. Bill Pope.

Zach Staenberg. Keanu Reeves : Thomas A. Julian Arahanga. Daniel White. Matt Doran. Ray Anthony Parker. Paul Goddard.

Robert Taylor.

Tribute Entertainment Media Group. Empire Award for Best Film. The New York Times. The Matrix ' s production designerOwen Patersonused methods to distinguish the "real world" and the Matrix in a pervasive way. Kant states in his Critique of Pure Reason that people come to know and explore Yves Saint Laurent Film Stream world through synthetic means language, Dallas Serie 2012. Retrieved October 30, Retrieved May 25,

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